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When the
messanger got through the crowds thronging Christ and His disciples, the
invitation was declined as Jesus had other plans. Yet the Son of God sent the
messanger back with two powerfully edifying things: His word and His image.
The word
was given in the form of a letter – not written but dictated by Our Lord – and
the image was altogether more special. Amid the bustle, Jesus used a face-cloth
which miraculously bore the image of His face. This was given to King Abgar’s
courtier and, with the letter, was returned to Edessa with the promise that
Christ would send one of His disciples soon.
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The image
of Christ not made with hands had a remarkable history of its own – allegedly
protecting the city of Edessa from Persian invasion in 544 A.D. The mandylion
was transferred to Constantinople – by then the political centre of Christendom
– in the 10th century. After that it was lost in the sacking of Constantinople
by the Latins in 1204. Although claims have been made as to its whereabouts
since then, it is assumed to have been lost for good.
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King Abgar with the Image of Edessa (10th century) |
The
“first” icon of Christ does what all future, “man-made”, Orthodox icons of
Christ do: attest to the reality of God’s incarnation on earth. Beyond this,
the Image of Edessa’s miraculous origins can be seen as a symbol of God’s
authority and centrality to all true worship – because after all is said and
done, the first iconographer was Jesus Christ Himself.
Source: https://iconreader.wordpress.com/2010/07/11/icon-not-made-with-hands/
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