Today, 23 November on the Church’s
calendar, we celebrate the memory of St. Alexander Nevsky (1263)—in schema
Alexis—grand prince of Vladimir. Helene Iswolsky speaks of his ‘heroic valor,
exemplary life, and devotion to his faith’ (Christ in Russia: The History,
Tradition, & Life of the Russian Church[Milwaukee: The Bruce, 1960], p.
50). Noting that St. Alexander was an exception to the general weakness of the
princes of 13th-c. Vladimir, John Fennell writes, ‘Not only was he canonized,
but he was also regarded throughout Russian history as the great Russian
warrior, indeed by some as the saviour of Russia...’ (A History of the
Russian Church to 1448). In the Tale
of the Life & Courage of the Pious & Great Prince Alexander in
the Second Pskovian Chronicle, a Westerner who visited St. Alexander
is said to have returned to his people telling them, ‘I went through many
countries and saw many people, but I have never met such a king among kings,
nor such a prince among princes’ (Serge A. Zenkovsky, ed. & trans., Medieval
Russia’s Epics, Chronicles, & Tales,). Here is the account of his life in the Prologue (St. Nicholas [Velimirović], The Prologue from Ochrid, Vol. 4):
The son of
Prince Yaroslav, his heart was drawn to God from his youth. He overcame the
Swedes on the river Neva on July 15th, 1240, whence he took the name ‘of the
Neva’ [Nevsky]. On that occasion, Ss Boris and Gleb appeared to one of Alexander’s
generals and promised their aid to the great prince, their kinsman. Among the
Golden Horde of the Tartars, he refused to sacrifice to idols or pass through
fire. The Tartar Khan valued him for his wisdom, and his physical strength and
beauty. He built many churches, and performed innumerable works of mercy. He
entered into rest at the age of forty-three [having been clothed in the great
schema], on November 14th, 1263 . . .
According to the Tale, St. Alexander —
was taller than
others and his voice reached the people as a trumpet, and his face was like the
face of Joseph, whom the Egyptian Pharaoh placed as the next king after him in
Egypt [Gen. 41ff]. His power was a part of the power of Samson and God gave him
the wisdom of Solomon and his courage was like that of the Roman King
Vespasian, who conquered the entire land of Judea. (Zenkovsky, p. 226)
Christopher Dawson has suggested, and lamented, that
in the historical transition from pagan to Christian kingship in northern
Europe, ‘the heroic ethos’ associated with the king was lost. Thus, he writes,
‘The royal saints of Anglo-Saxon England were, for the most part, men who were
defeated in battle by the pagans, like St Oswald and St Edwin, or men who
resigned their crowns to become monks, like St Sebi, of whom it was said that
he ought to have been a bishop rather than king’ (p. 73). Dawson considers St.
Olaf of Norway a rare ‘authentic representative of the Northern heroic
tradition’ (Religion & the Rise of Western Culture [Garden
City, NY: Image, 1958], p. 96). It strikes me that if Ss Boris and Gleb could
be compared to the English Saints Dawson mentions, St. Alexander, like St.
Olaf, is more in line with the heroic ethos, reminding one of the legendary
connections of the early Russian rulers to Scandinavia.
He is certainly a champion of Orthodox Russia against
the encroachments of Catholicism. Concerning St. Alexander’s battle with the
‘pseudo missionary’ Teutonic Knights, there is reproach even in the estimation
of the Roman Catholic writer Helene Iswolsky:
Though not
supported by the Holy See, they had been called to the Baltic by Bishop Albert
and claimed to bring Christianity to the pagans by ‘sword and fire’. After
completing the conquest of the seashore, they marched on the land of Russ
ignoring the fact that its people had been Christian for more than one hundred
fifty years, and regarding them as merely ‘schismatics’. (pp. 48-9)
Of
course Iswolsky is quick to claim that in the 13th c. ‘it was not so much
dogmatic conflicts, as the differences of rite and liturgical customs which the
Russians and the Germans held against each other’ (p. 50). But it is a claim
contradicted by an interesting story related in the Tale, a text Zenkovsky
notes (p. 225) received its final form already within 20 years of the Saint’s
repose:
Once there came
to him the envoys of the Pope from Great Rome saying: ‘Our Pope spaketh the
following: I have heard that thou art worthy and glorious and that thy land is
great. Therefore I send to thee Golda and Gemond, two most wise out of my
twelve cardinals, to give you the opportunity of hearing their teaching about
Divine Law.’
But Prince Alexander, after consulting with his wise men, answered him, saying:
‘From Adam to the Flood;
from the Flood to the confounding of the languages;
from the confounding of the languages to the birth of Abraham;
from Abraham to the crossing of the Red Sea by the children of Israel;
from the Exodus of the sons of Israel to the death of King David;
from the beginning of the reign of Solomon to the time of Augustus, the Emperor;
from the beginning of the time of Augustus to the birth of Christ;
from the birth of Christ to the Passion and Resurrection of the Lord;
from his Resurrection to his Ascension into heaven;
from his Ascension into heaven to the reign of Constantine;
from the beginning of the reign of Constantine to the First Council;
from the First Council to the Seventh Council,
all the happenings we know well, all of this [sacred history],
and we do not accept your teaching.’
And they returned home empty-handed. (Zenkovsky, pp. 233-4)
St. Alexander must be one of the few Saints to have been the subject of a film
featuring a respected director as well as a respected composer—Sergei
Eisenstein’s Alexander Nevsky (1938), with a score by Sergei
Prokofiev. I highly recommend this movie—though he seems not wholly to approve,
Fr Anthony Ugolnik points out that despite being a ‘product of “socialist
realism”’, in Eisenstein’s film ‘the hero is . . . invested with religious
symbolism’ (The Illuminating Icon [Grand Rapids, MI: Eerdmans,
1989], p. 254)—but even I must admit that there is some truth to Iswolsky’s
characterization of its portrayal of the Catholics as ‘crude’ (p. 49)! Of
course there is also a very recent film about St. Alexander (HT Andrew Cusack)—Alexander:
Battle of the Neva (2008). Judging by the trailer, it looks very
exciting indeed!
Here is the apostichon in Tone 2 at Glory from Great Vespers for the Feast of
the Translation of St. Alexander’s relics (Vigils of the Saints Vladimir
& Alexander Nevsky [Bussy-en-Othe, France: Orthodox Monastery of
the Veil of Our Lady, n.d.], p. 26):
Come all ye
Russian ranks and praise ye the good chief captain; ye powers praise the wise
administrator; ye soldiers the bravest of warriors; ye lovers of Orthodoxy a
firm confessor ready to be a martyr. Obey your leader and submit, and having
seen his end, imitate his faith.
The Troparion of the Feast in Tone 4 offers an
interesting extension of the Tale’s comparison of the Holy Prince to the
Righteous Joseph the All-Comely:
O Prince
Alexander, thou Russian Joseph, reigning not in Egypt but in Heaven, recognize
thy brethren and also receive their supplications, increasing, by thy gift for
making thy land bear fruit, the corn of its people, fencing thy princely city
with prayers and fighting against the adversary for thy heirs, the people who
are faithful to God. (p. 26)
O most glorious
wonder! He who is master of the world leaves the world. He who bears the
Russian scepter lays it aside; he takes off his purple and covers himself with
a burial pall; his head is crowned with a royal diadem that he puts off
himself, and he leaves the temporal kingdom on this earth assured of the
eternal Kingdom in Heaven where he is crowned with a royal crown. (p. 33)
I conclude with St. Nicholas’s ‘Hymn
of Praise’ for St. Alexander from the Prologue, where we see
the implications of the Saint’s piety—as displayed particularly in his
tonsure—elabourated in an interesting way:
A knight of
Christ, St. Alexander,
A prince of the people and servant of the Lord—
Ruler on earth and slave of the Almighty—
This was the life of Nevsky.
On the outside opulence, on the inside weeping;
On the outside struggle, on the inside serenity;
On the outside illusion, on the inside truth.
Christ was the prize of this hero,
Both in war and deceptive peace.
In torment, Christ was his joy,
In suffering, Christ was his assurance,
In victory, Christ was the victor,
And in death, Christ was his Resurrector!
To him, in both worlds, all was Christ!
He was the end; He was the living goal.
The pious prince was an exemplar to his people,
Of how one should serve the Lord.
O holy Prince, help us also,
By your brilliant power, by your holy prayers!
A prince of the people and servant of the Lord—
Ruler on earth and slave of the Almighty—
This was the life of Nevsky.
On the outside opulence, on the inside weeping;
On the outside struggle, on the inside serenity;
On the outside illusion, on the inside truth.
Christ was the prize of this hero,
Both in war and deceptive peace.
In torment, Christ was his joy,
In suffering, Christ was his assurance,
In victory, Christ was the victor,
And in death, Christ was his Resurrector!
To him, in both worlds, all was Christ!
He was the end; He was the living goal.
The pious prince was an exemplar to his people,
Of how one should serve the Lord.
O holy Prince, help us also,
By your brilliant power, by your holy prayers!
Source: http://logismoitouaaron.blogspot.com.by/2009/12/on-outside-struggle-on-inside.html
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